Academic Sources

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Cachia, Amanda. 2017. “Disabling Surrealism: Reconstituting Surrealist tropes in contemporary art.” Disability and Art History, ed. Ann Millett-Gallant and Elizabeth Howie. New York and London: Routledge.

Cachia, Amanda. 2017. “Curating New Openings: Rethinking Diversity in the Gallery.” Art Journal, 3-4: p. 48 – 50.

Clare, Eli. 2017. Brilliant Imperfection, Grappling with Cure. Durham: Duke University Press.

Crawford, Margo Natalie. 2017. “Introduction.” Black Post-Blackness: The Black Arts Movement and Twenty-First Century Aesthetics. Urbana: University of Illinois Press. p. 11 – 24.

Crawford, Margo Natalie. 2017. “Epilogue: Feeling Black Post-Black.” Black Post-Blackness: The Black Arts Movement and Twenty-First Century Aesthetics. Urbana: University of Illinois Press. p. 188 – 195.

Dick, Kirby. 1997. Sick: The Life and Death of Bob Flanagan, Supermasochist. 89 minutes.

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Dolmage, Jay Timothy. 2014. Disability Rhetoric. Syracuse: Syracuse University Press.

Flanagan, Bob and Sheree Rose. 2000. The Pain Journal. Cambridge: Semiotext(e)/Smart Art Press.

Forti, Simone. 1997. Handbook in Motion, third edition. Northampton: Contact Editions.

Garland-Thomson, Rosemarie. 1997. Extraordinary Bodies: Figuring Physical Disability in American Culture and Literature. New York: Columbia University Press.

Garland-Thomson, Rosemarie. 2001. “Seeing the Disabled: Visual Rhetorics of Disability in Popular Photography.” The New Disability History: American Perspectives, ed. Paul K. Longmore and Larui Umansky. New York: New York University Press. p. 335 – 374.

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Vale, V. and Andrea Juno. 1993. Bob Flanagan: Supermasochist. New York: Re/Search Publications.

Wendell, Susan. 1996. The Rejected Body: Feminist Philosophical Reflections on Disability. New York: Routledge.